Canon EOS 5D Mark IV · 4.Sony A9 Mark II · 5.Sony A7R IV · 7, Nikon D810 review · Canon EOS R3 review · Hasselblad 907X 50C review The best professional cameras offer high-quality images, accurate AF, fast burst modes and at least 4K video If you're primarily a cameraman, then you might want to check out our dedicated guide to the best 4K cameras for video (opens in a new tab) or check out the best cameras for vlogs (opens in a new tab). Serious filmmakers are better off checking out our guide to the best movie cameras (opens in a new tab). In addition, the medium format camera market (opens in a new tab) is increasingly competitive. The release of the compact and relatively affordable Fujifilm GFX 100s (opens in a new tab) definitely caught the attention of some, making the medium format a little more accessible.
While you could never say that medium format cameras are “cheap”, the Hasselblad 907X 50C (opens in a new tab) joins the GFX 100s to offer a more affordable price. Don't worry though, there are still very expensive and attractive models, including the brilliant Phase One XT (opens in a new tab). Canon offers a wide range of professional lenses and produces some of the most popular professional cameras. The best Canon cameras (opens in new tab) have traditionally been known for their digital SLRs, especially in professional circles, but they are focusing their attention on their new mirrorless EOS R system, and the original EOS R (opens in a new tab) and the beginner-friendly EOS RP (opens in a new tab) They were only the opening except: the EOS R5 is the camera that caught our attention, and we suspect that of all other professional photographers out there.
The Canon EOS R3 is a top-notch tool chosen by working professionals. Whether you're shooting sports, weddings, portraits, pets or news, uninterrupted still images at 30 fps and RAW video at 6K mean you never miss a moment of action or detail, and improved autofocus performance, along with fantastic eye-control AF, ensure that every shot is focused exactly where you want. It sets a new dynamic range reference point for professional-level cameras, and its lower number of pixels allows it to generate much less noise than higher-resolution rivals Sony and Nikon. This is the professional camera of the future, and it's here.
Read our review of the Canon EOS R3 (opens in a new tab) As a camera, the Canon EOS R5 is simply Canon's best product to date. It's the perfect combination of the shape of the EOS R, the function of the EOS 5D and the professional-grade autofocus of the EOS-1D X. If you're a still-image shooter or hybrid that flies between photography and videography, it's one of the best cameras you'll have the pleasure of using. It has attracted attention for the wrong reasons, such as overheating (or the threat of its occurrence) when shooting video in 8K, but this should not detract from the extraordinary capabilities of this camera.
It's not perfect at all, but given its combined resolution, frame rate and video capabilities, this is a truly flagship camera. In addition, and this may sound a little strange, it took the arrival of the much more expensive Sony A1 to realize how good the Canon EOS R5 really is. Read our review of the Canon EOS R5 (opens in a new tab) Read our review of the Canon EOS 5D Mark IV (opens in a new tab) Sony launched its full-frame mirrorless camera system from scratch and, while you can use older Alpha lenses designed for its SLR cameras on the new A7 and A9 bodies, in practice you It is much better to invest in lenses with a native FE frame. There are now 31 native FE lenses and there are more to come, so while switching to Sony might be expensive initially, these cameras are much more compatible with native lenses than other brands of mirrorless cameras.
Until we got our hands on the Canon EOS 1DX Mark III, the Sony A9 II was by far the fastest full-frame sports camera we had ever used. The fact that it's still much smaller than the 1DX Mark III is a big selling point, plus it has an ultra-fast processor and its autofocus system is extremely impressive. It has a Transfer %26 tagging system that allows it to capture up to 50 seconds of voice and convert it into an image caption, and the speed of image transfer has been greatly improved, which is great news for press or sports photographers who need to deliver images quickly. You can record up to 20 fps with the electronic shutter and the 3-inch tiltable LCD touchscreen.
It doesn't have the handy Pro Capture feature you'd find on Olympus cameras, but considering what it has going for it, we can forgive you. Read our full review of the Sony A9 Mark II (opens in a new tab) Read our full review of the Sony A1 (opens in a new tab) The A7R IV is Sony's new higher-resolution full-frame mirrorless camera, with a record 61 million pixels and yet capable of continuous shooting at 10 fps. It also has Sony's usual very good 4K video capabilities, although it still has a 30p limit. However, the latest version of Sony's eye AF is incredibly effective for tracking portrait subjects, even with continuous AF.
While the Sony A9 is designed for maximum speed and responsiveness, the A7R Mark IV is much better suited to complete photographs with the highest levels of quality. It continues with the 'R' line by offering the highest resolution of all full-frame cameras, but while its 10 fps burst shooting looks good on paper for sports photography, it doesn't have the buffer capacity or responsiveness of the A9, so it's useful to have its high frame rate, but the A7R Mark IV doesn't It would be your first choice for sports. However, when it comes to absolute resolution, the A7R Mark IV is the queen, and not only in the Sony field, but also among full frame cameras in general. You have to switch to the medium format to overcome this, with all the costs and limitations that come with it.
Not even the new Sony A1 (opens in a new tab), at twice the price, can match this resolution. Read our full review of the Sony A7R IV (opens in a new tab) Like Canon, Nikon also offers a wide range of professional lenses and a variety of professional camera bodies. Nikon has also taken its first steps into the market for full-frame mirrorless systems with the Nikon Z6 and Z7 and, as with the Canon EOS R, these cameras can use current Nikon DSLR lenses, without restrictions, using an adapter, so Nikon users can try step by step from a camera without mirror, instead of having to. Change an entire system.
Read our review on the Nikon D850 (opens in a new tab) Read our review on the Nikon Z7 II (opens in a new tab) Fujifilm has two separate lines of professional cameras: the APS-C X series and the medium format GFX series. The flagship X-T4 is the latest offering in the X range and one of the cheapest cameras on our professional list, but it's an incredible camera for both video and still images. With the GFX range, Fujifilm has done something that many other camera brands have not achieved: it has made medium format photography affordable. The launch of the GFX 100s was an exciting moment for Fujifilm and Fujifilm fans who wanted the high resolution of the GFX 100, but in a smaller body and at almost half the price.
In fact, we were so impressed that we had to give it five stars in our review. Read our full review of the Fujifilm X-H2 Read our review of the Fujifilm X-H2S (opens in a new tab) The Panasonic range is now divided between its existing Micro Four Thirds cameras, with smaller sensors but with legendary 4K video capabilities, and its new full-frame mirrorless Lumix S models, and without no upgrade option. between these systems. There are an increasing number of native Lumix S lenses right now, thanks to the L-Mount Alliance and the work of other lens manufacturers such as Sigma and Leica.
The Lumix S system is developing rapidly, but will require a large investment in a completely new system. For those looking to take pictures, Panasonic decided to opt for its DFD (Depth From Defocus) contrast AF system, which is super fast and effective. From what we've seen so far, the image quality is very good, you can shoot at up to 75 fps in burst mode (when using the electronic shutter and AFS), although this is reduced to 8 fps when shooting with continuous AF. The body is too big for a Micro Four Thirds camera; it's even larger than some of the Sony A7's bodies, however, the lenses are still much more compact and there are many to choose from.
All in all, the GH6 is incredibly impressive and, although the starting price is quite high, it's still cheaper than the Sony A7S III and has a 5.7K capture and 25 MP photos. Read our full review of the Panasonic GH6 (opens in a new tab) The new Lumix S range is a very interesting proposition for professional photographers, especially now that the range of available L-mount lenses is now quite good and is growing rapidly. The Lumix S1R is the most attractive proposition for professionals, since it combines 4K video capture with a high-speed 6K photo mode and an enormous resolution of 47.3 MP. The 5.76 million dot electronic viewfinder is incredible, and the S1R also handles very well.
The Lumix S1 24 MP (opens in a new tab) is cheaper and a little better when it comes to video, but that's an economical decision: if you're really serious about video, the more expensive Lumix S1H (opens in a new tab) is the one to choose. Read our review of the Panasonic Lumix S1R (opens in a new tab) Compared to the spectacular advances of other camera manufacturers, Olympus has had a pretty quiet time. It has moved on with its relatively modest Micro Four Thirds format, in a maelstrom of medium format bombs and armies of full-frame mirrorless cameras. In this environment, a 20 MP Micro Four Thirds sensor seems hopelessly outperformed in power.
The size of the MFT format provides significant cost and weight advantages that your followers will be happy to explain to you. Read our Olympus OM-D E-M1X review (opens in a new tab) Olympus is unlikely to fully overcome the resistance of its smaller Micro Four Thirds sensor format, which is a quarter the size of its full-frame rivals, but it's a shame because this system has a lot to offer. The Olympus OM-D E-M1 Mark III is actually a versatile and highly effective professional camera for general photography. When you're doing sports, its autofocus and frame rate are a good choice for more expensive full-frame rivals, and its Pro Capture mode (up to 60 fps) is simply amazing.
When high resolution is essential, its 50 MP and 80 MP options can be compared to many medium format cameras, admittedly with static subjects, not moving subjects. And when shooting absolutely anything, its 7.5 steps of image stabilization surpass all cameras on the market. Read our full review of the Olympus OM-D E-M1 Mark III (opens in a new tab) DSLR or mirrorless? While it sometimes seems that mirrorless technology is taking over the world, the best DSLRs still have their advantages and some, such as the Canon EOS-1D X Mark III, are breaking new ground. Read our guide to DSLR cameras versus mirrorless cameras if you're still not sure.
The best Fujifilm cameras (opens in a new tab), the best mirrorless camera (opens in a new tab), the best medium format camera (opens in a new tab), the cheapest full-frame cameras (opens in a new tab), the best cameras for vlogging (opens in a new tab), The best 4K camera for Making films (opens in a new tab) After studying journalism and public relations at the University of the West of England, Hannah developed her love for photography through a module on photojournalism. She specializes in portrait, fashion and lifestyle photography, but has recently expanded into the world of stylized product photography. For the past 3 years, Hannah has worked at Wex Photo Video as a senior sales assistant, using her experience and knowledge about cameras to help people buy the right equipment for them. With 5 years of experience working with studio lighting, Hannah has led many successful workshops that teach people to use different lighting settings.
What is the best camera to buy? That depends on what and how you want to film. Here are 10 great cameras for all types of users Choosing the best camera is hard enough for professional photographers, but when you're just starting out, the choice of types and prices can seem overwhelming. The best camera for photography isn't necessarily the most expensive or the most powerful, but it's about choosing the right camera for what you want to do. Here is our list of the 10 best cameras of the moment across the entire spectrum of photography, as well as their different users.
The Nikon D3500 has been one of our long-time favorites. It's by no means the most advanced DSLR camera you can find, but its simplicity, controls and the quality of the images it can create make it our best recommendation for anyone just starting out. The D3500 doesn't do a lot of things: it has a fixed rear screen that isn't touch-sensitive, it doesn't have a hybrid autofocus on the sensor, and it doesn't record videos in 4K. But its 24-megapixel sensor offers super-sharp, high-quality images.
Nikon's latest AF-P retractable kit is a miniature wonder and focuses very quickly on live images, even without phase detection autofocus on the sensor. The D3500 handles well, is easy to use, is more powerful than it seems and is the perfect introduction to photography with interchangeable lenses. Read our full review of the Nikon D3500 or The Best Cameras for Beginners (opens in a new tab) With a flip screen for selfies and excellent image stabilization on the body, the Olympus OM-D E-M10 Mark IV is ideal for learning about photography and video and is portable enough for everyday use. With 4K video and attractive styling, the E-M10 Mark IV is ideal as an entry-level camera that can do just about anything.
It has a smaller Micro Four Thirds sensor than other mirrorless or DSLR cameras, but the advantage is that the lenses are smaller and lighter. This is a great little camera that's much more powerful than it looks and could be with you for a long time. Read our full review of the Olympus OM-D E-M10 Mark IV or The Best Mirrorless Cameras (opens in a new tab) The “R” models of Sony's A7 series cameras are designed primarily for resolution, and the Sony A7R Mark IV has the highest resolution to date in a full-frame camera. What stands out is not only the reproduction of details, but also the 4K video capability and the continuous shooting speed of 10 fps of this camera, all combined with the 5-axis image stabilization integrated in the body and one of the most powerful autofocus systems ever seen in the world, with the best Eye autofocus of the world (so far).
However, one of the most compelling reasons to choose the Sony system is the wide range of lenses that are now available, both from Sony itself and from third-party lens manufacturers, and the momentum that the Sony brand has created in the professional photography community. Read our full review of the Sony A7R IV or The Best Mirrorless Cameras (opens in a new tab) The GoPro Hero 10 may be a little more than you need if you're buying your first action camera, but if you're looking for a camera that shoots high-quality and superfluous videos, there's nothing better than doing it. It may look a lot like the previous GoPro Hero 9, which is still available, but it's quite a significant upgrade. It has a new G2 processor that makes the interface very sensitive, doubles frame rates and uses the best image stabilization technology available in action cameras.
The most notable feature is its ability to record 5.3K 60p with GoPro's new HyperSmooth 4.0 video stabilizer. It also has the ability to take 23 megapixel photos and has the best low-light performance of any GoPro to date. You can buy a large number of accessories separately and, in addition to mounting them on your helmet, you can place them on your chest, head or even on one of the best selfie sticks (opens in a new tab). Read our full review of the GoPro Hero10 Black or the best action cameras (opens in a new tab) Read our full review of the Canon EOS 90D or the best DSLR cameras (opens in a new tab) Read our full review of the Fujifilm X-S10 or The Best Cameras for Enthusiasts (opens in a new tab) Read our full review of the Fujifilm X-S10 or The Best Cameras for Enthusiasts (opens in a new tab) Read our full review of the our full review of the Sony ZV-1 or The best cameras for vlogging (opens in a new tab) new tab) and why not try The best cameras for traveling (opens in a new tab) Read our full review of the Canon EOS R5 or The best professional cameras (opens in a new tab) The 10 best cameras for enthusiasts (opens in a new tab), the 10 best compact cameras (opens in a new tab), the 10 best mirrorless cameras (opens in a new tab), the 10 cheapest full-frame cameras (opens in a new tab), the best full-frame DSLRs (opens in a new tab), the 10 best travel cameras (opens in a new tab), the 10 best cameras for selfies (opens in a new tab), the 10 best action cameras (opens in a new tab).
When you're working professionally, you'll see the flagship cameras in a manufacturer's range, and generally, each of these cameras is developed to excel in a particular genre. But anyway, who buys a medium format camera to work on video? The GFX 100s has always been designed for slow photography work. He has been writing about photographic technology, photo editing and digital cameras since they first appeared, and before that he began his career writing about cinematographic photography. With the decline in prices and body sizes, suddenly the beautiful clarity of medium format photography is something that many budding professionals can afford in their luggage bag.
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